Mythology

Athens is a city of different aspects. A walk around the famous historic triangle (Plaka, Thission, Psyri) the old neighborhoods, reveal the coexistence of different eras. Old mansions, well-preserved ones and other worn down by time. Luxurious department stores and small intimate shops, fancy restaurants and traditional tavern, all seem to have their place in this city.  One of the most attractive things to me about Greek culture has always been their MYTHOLOGY.  On our walk the first day, I can remember popping into a small shop and flipping through a children's story book.  It seemed so interesting to me that where I grew up reading about Cinderella and Snow White, other children were learning about Zeus and Aphrodite.

 "Myth has two main functions," the poet and scholar Robert Graves wrote in 1955, “The first is to answer the sort of awkward questions that children ask, such as ‘Who made the world? How will it end? Who was the first man? Where do souls go after death?’…The second function of myth is to justify an existing social system and account for traditional rites and customs.” In ancient Greece, stories about gods and goddesses and heroes and monsters were an important part of everyday life. They explained everything from religious rituals to the weather, and they gave meaning to the world people saw around them.  (http://www.history.com/topics/greek-mythology)

The earliest Greek myths were part of an oral tradition that began in the Bronze Age, and their plots and themes unfolded gradually in the written literature of the archaic and classical periods. The poet Homer’s 8th-century BC epics the Iliad and the Odyssey, for example, tell the story of the (mythical) Trojan War as a divine conflict as well as a human one. They do not, however, bother to introduce the gods and goddesses who are their main characters, since readers and listeners would already have been familiar with them.

Around 700 BC, the poet Hesiod’s Theogony offered the first written cosmogony, or origin story, of Greek mythology. The Theogony tells the story of the universe’s journey from nothingness (Chaos, a primeval void) to being, and details an elaborate family tree of elements, gods and goddesses who evolved from Chaos and descended from Gaia (Earth), Ouranos (Sky), Pontos (Sea) and Tartaros (the Underworld).

At the center of Greek mythology is the pantheon of deities who were said to live on Mount Olympus, the highest mountain in Greece. From their perch, they ruled every aspect of human life. Olympian gods and goddesses looked like men and women (though they could change themselves into animals and other things) and were--as many myths recounted--vulnerable to human foibles and passions.

The twelve main Olympians are:

• Zeus (Jupiter, in Roman mythology): the king of all the gods (and father to many) and god of weather, law and fate
• Hera (Juno): the queen of the gods and goddess of women and marriage
• Aphrodite (Venus): goddess of beauty and love
• Apollo (Apollo): god of prophesy, music and poetry and knowledge
• Ares (Mars): god of war
• Artemis (Diana): goddess of hunting, animals and childbirth
• Athena (Minerva): goddess of wisdom and defense
• Demeter (Ceres): goddess of agriculture and grain
• Dionysos (Bacchus): god of wine, pleasure and festivity
• Hephaistos (Vulcan): god of fire, metalworking and sculpture
• Hermes (Mercury): god of travel, hospitality and trade and Zeus’s personal messenger
• Poseidon (Neptune): god of the sea

Other gods and goddesses sometimes included in the roster of Olympians are:

• Hades (Pluto): god of the underworld
• Hestia (Vesta): goddess of home and family
• Eros (Cupid): god of sex and minion to Aphrodite